by Michel Tremblay
Directed by : Laurence Février. Compagnie Laurence Février – Maison des Arts de Créteil – Groupe 3/5/81
With Michel Ouimet, Charles Mayer
“Mayer is excellent.”
Michel Cournot
Le Monde
“We especially remember the acting performance of Michel Ouimet and Charles Mayer.”
Fabienne Pascaud
Télérama
“Instead of shocking, the play touches the deepest part of us, because it is directed and played in a very pure way. Michel Ouimet and Charles Mayer are incredibly authentic.”
Gilles Costaz
Le matin de Paris
“Charles Mayer and Michel Ouimet managed the tour de force of never being grotesque, but always touching, shocking, better, terribly human.”
Jean-Marie Sourgens
Journal de Lille
“Hosanna (Michel Ouimet) and Cuirette (Charles Mayer) both have a way (an art) to tear themselves, of reopening old secret wounds that immediately freezes the smile and gives us a sense of the violence of the aim of Michel Tremblay … A few moments of solitude await us along the scenes…”
Patrick De Rosbo
Le Quotidien de Paris
“Charles Mayer and Michel Ouimet managed the tour de force of never being grotesque, but always touching, shocking, better, terribly human.”
G.C
Le Figaro-Lyon
“With two excellent actors, Michel Ouimet and Charles Mayer, it is possible to enjoy Hosanna in its original version.”
Jean-Jacques Samary
Libération
“The Compagnie Laurence Février presents Hosanna by Michel Tremblay with two actors who accomplish a performance: Michel Ouimet and Charles Mayer.”
P.G
Le journal de Lyon
“Coarse words, made more cruel by the sad hiss of the language and, especially by the flawless playing of two actors: Michel Ouimet and Charles Mayer.”
B.S
L’événement du jeudi
“It took two solid actors to find, beyond the caricature, the humanity of these two characters. From the unanimous accounts from the press, Laurence Février appears to have found with Michel Ouimet (Hosanna) and Charles Mayer (Cuirette) the ideal interpreters.”
Pascal Musy
“The talent of the author, of two very sincere and direct actors, Michel Ouimet and Charles Mayer, the direction finally, everything combines to convince.”
Paul Chambrillon
La presse française